We’re drinking coffee at the shop on Grove
when my aunt’s DNA starts to rumble. Nerves
shake to the surface, shear waves ripple
her cheeks. Her eyes tremble,
and she waits. Quaking over the precipice,
I buckle under memories—a childhood spent
washing my hands then checking, over and over
through the night. I clutch my cup against tremors,
feel its heat, solid and slick. She says
the meds are working,
and I look into the black chasm
of my mug. Maybe you won’t
need won’t need
them, she says. Maybe you’ll be
fine fine be fine.
She blinks hard and fast like a child
trying to remember what
she already knows, and she starts
the stories again. Suicides. Rages:
my grandmother hurling blue Delft
at my mother’s head, ceramic raining
from the wall. One by one,
portraits tumble. The faces
fall. Paint pops, and the gilt
frames crack. I grapple with their weight
and try to rehang them, to square
splayed corners with the edges
of my mind. We walk to my car in silence,
and with door open, she leans in to say goodbye.
Remember, we’re survivors.
And swinging it shut, she clips the frame
of her oversized glasses. They flip
from her nose, dangle from one ear.
She stares straight ahead.
Elizabeth W. Jackson is a practicing psychologist and writer who has published in a variety of fields including psychology and the visual and literary arts. Mainly, she loves poetry, though, and her recent work has appeared or is forthcoming in The Potomac Review, Tar River Poetry, and Zone 3. Honors include grants awarded by the Vermont Studio Center and the United Arts Council.