Categories: Poetry

Civil War Reenactment, Look Park, Massachusetts

The bridge needs defending,
choke point between swingsets
and water park. A gray soldier

tells me not to go beyond
the picnic tables. A stealthy
Union man checks his phone.

We’re front seat, lunch spread out,
and while the battle rages
I eat cold corn on the cob,

which always takes a while
and requires looking down to see
what’s been consumed.

Children, there’s watermelon. They eat
watermelon. A man beside a tree crumples.
Another fixes a bayonet.

I tell them what I know of war,
the battle charge to come. They want to know
why you don’t hold bayonets like knives.

I say, to keep your distance.
Still so close
the distance between two bodies.

I don’t say, for leverage.
To drive the bayonet deeper,
to force the point into the stomach of a man.

The firing stops. The yells of men and boys.
When two grapple and one falls dead,
I look back to my corn, which I’ve neglected.

Later they’ll help each other up, brush
each other off, but in the charge I heard them
wanting.

At the First Battle of Bull Run,
spectators dressed up.
Women with opera glasses. Women

selling pies. Far enough away
that when the big artillery began,
they applauded, sure the war

would be contained in one weekend,
in this bowl
of grass and stone.

Later we ride the kiddie train,
through the tents of soldiers and civilians
in knickers and long skirts.

Look, they took their kids! my two
exclaim, glad. The tracks hairpin
by the amputation demo.

I remind them about starvation and disease.
My daughter wants to know
about dysentery, smallpox.

Yellow fever! She likes the sound
of this. Her favorite color’s yellow.
The train rumbles through a tunnel.

Beyond it, men in gray – bandits, rebels –
are set to rob the train.
The children clutch

play coins given in advance
and hand them gleefully to a smiling man.
The children are not scared

and the children are not scared
and when I say you know this is not
what real war is like they say I know, I know

and when the train stops
they run off to feed the deer
behind the bars.

Alli

Share
Published by
Alli

Recent Posts

Introduction

In this 28th edition of Waccamaw, the Nigerian poet Fasasi Abdulrosheed Oladipupo unpacks the meaning…

5 months ago

Masthead 28

[wc_row] [wc_column size="one-half" position="first"] Editorial Team Nonfiction Editor: Amy Singleton Poetry Editor: Brittany Davis Poetry…

5 months ago

S.C. Creative Sociology Writing Competition

The S.C. Creative Sociology Writing Competition invited undergraduate and graduate students from any discipline in…

5 months ago

SELF-PORTRAIT AS A MUSEUM

Museum: a depository of grief displayed aesthetically; I carry the mishaps of things I want…

5 months ago

Dietary Positivism For Dinner

It is well with my soul. It is well like a soup.

5 months ago

How do you say the knife is blunt in Yorùbá?

we say the knife is dead, or the mouth of the knife is dead because…

5 months ago

This website uses cookies.